Client
The Wilson – Cheltenham Art Gallery and Museum

As part of a £6million redevelopment plan, Cheltenham Art Gallery & Museum approached us to help with their brand. 
Our brief was to position the Gallery & Museum as a 
collaborative, creative space for the 21st Century that would 
appeal to an international audience. Inspired by the modernity 
of the newly designed building, we created the name and identity system. This has helped to establish The Wilson as a world class destination, accessible to all.

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Wilson Gallery Mobile

Opened in 1899, Cheltenham Art Gallery & Museum has had a long history as a regional attraction with its collection of largely Arts & Crafts based furniture and paintings. A £6million facelift with the addition of 
a new extension and refurbishment of the existing galleries meant that the Gallery & Museum wanted to be perceived as a contemporary, international destination, whilst still being accessible to local communities. It would become a vibrant creative center attracting 
both visitors and artists.

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Looking at the exciting breadth of the Gallery & Museum’s offer and its ambition 
to become a more socially inclusive space, 
we identified the concept of ‘Creative Exploration’. This describes the sort of space that’s offered – a working space rather than a traditional gallery. It also embodied the sentiment that anyone can explore creatively.

The idea of Creative Exploration also helped us in creating the name: ‘The Wilson’. Cheltenham born, Edward Wilson journeyed with Scott to the Antarctic. Paintings, photographs and artefacts, relating to Wilson’s Antarctic Expeditions are displayed at the Cheltenham Gallery & Museum.

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Looking at the exciting breadth of the Gallery & Museum’s offer and its ambition 
to become a more socially inclusive space, 
we identified the concept of ‘Creative Exploration’. This describes the sort of space that’s offered – a working space rather than a traditional gallery. It also embodied the sentiment that anyone can explore creatively.

The idea of Creative Exploration also helped us in creating the name: ‘The Wilson’. Cheltenham born, Edward Wilson journeyed with Scott to the Antarctic. Paintings, photographs and artefacts, relating to Wilson’s Antarctic Expeditions are displayed at the Cheltenham Gallery & Museum.

Canvas Tote Bag MOBILE

A distinctive grid derived from the building’s architecture creates the building blocks for the brand, shaping the identity and finding expression in the mark, signage and collateral.

The identity needed to stand out and be recognisable. However, 
it was important that it had a timeless quality with an element of neutrality that would enable its use on a wide variety of applications and against an ever-changing background of creative activity.

A distinctive grid derived from the building’s architecture creates the building blocks for the brand, shaping the identity and finding expression in the mark, signage and collateral.

The identity needed to stand out and be recognisable. However, 
it was important that it had a timeless quality with an element of neutrality that would enable its use on a wide variety of applications and against an ever-changing background of creative activity.

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The grid structure of the building’s facade gave us a strong basis on which to construct all the visual elements of the Wilson identity. The rigidity of the square building blocks allow the organisation of 2 and 3D space which helps to liberate the activities, art and artefacts on display.

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When taken into three dimensions, the system could be applied playfully at large and small scales. Whether as a giveaway or 
a meeting point, the squares and the cube have become part of an iconography that provides a practical framework for promoting The Wilson’s activities.

RUBIX CUBE PUTTY UPDATE
Cube Take Away 2

In developing designs for the signage around the building, we realised that the block of six squares translated easily into a directional system. Again, scale played a part and the grid system could be broken down or built up when appropriate.

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The simple brand architecture allowed other branded activities 
such as the integrated café and shop, to be clearly labelled within the overarching Wilson identity.

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200,000
visitors within the first seven
months of the re-brand


Cheltenham Museum & Art Gallery’s visitor figures averaged around 60,000 per year. Following the re-brand 
The Wilson welcomed well over 200,000 people in just seven months.

200,000
visitors within the first seven
months of the re-brand


Cheltenham Museum & Art Gallery’s visitor figures averaged around 60,000 per year. Following the re-brand 
The Wilson welcomed well over 200,000 people in just seven months.

WILSON BANNERS UPDATE 1

The supporting colour palette helped to give a distinctive look to the imagery that the gallery used. By applying colour in a specific way a sense of ownership and uniqueness could be conveyed across the suite of communications, while visually unifying a diverse set of activities.

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When applied to gallery and museum collateral, the brand needed to be flexible enough to showcase exhibits ranging from Art & Crafts era furniture to contemporary abstract art and children’s creative activities. With the grid system in place, typography and colour were applied to create communications that were varied and engaging, but still held within a clearly branded framework.

In designing the website, we helped create a brand new, online space for the museum & gallery that was in keeping with its physical presence. We ensured that the website reflected the approach of 
a contemporary, international destination that was accessible to all.

Have you all been to The Wilson Cheltenham yet? Go have a coffee and take a look around. Feels like a London Gallery in Cheltenham. It’s Great!

@SueSeymour – Twitter


Just been to the preview of our new building Chelt Art Gallery and Museum, now called The Wilson Cheltenham. £6m well spent. Great team effort.

@andynorthchelt – Twitter

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